Vietnamese masterpieces of art to be sold in next Christie’s auction | Culture / art

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The “Young Woman Tying Her Scarf” by Le Pho

Among the masterpieces are “Jeune femme Attachant son Foulard” (Young woman tying her scarf) by Le Pho, “La Joconde” (Mona Lisa) by Mai Trung Thu and “Dyers at work” by Nguyen Phan Chanh.

The “Young Woman Attaching Her Foulard” painted in 1938 has a dimension of 59.5 x 48.5 centimeters. The painting has an estimated value of between $ 875,000 and $ 1.1 million.

The “Mona Lisa” painted in 1974 with a measurement of 53.5 x 57.5 centimeters is valued at over US $ 300,000 while “Dyers at work” created in 1931 and measuring 60 x 88.5 centimeters is estimated between US $ 257,000 and US $ 386,000.

Previously, an oil painting titled Portrait de Mademoiselle Phuong (Portrait of Mademoiselle Phuong) by painter Mai Trung Thu fetched a record price of US $ 3.1 million for a Vietnamese work at the modern art evening and of Sotheby’s Hong Kong Daytime Sales on April 18.

On March 16, Le Pho’s painting “Self-Portrait in the Forest” sold for over $ 1 million at an auction at Sotheby’s, Paris.

In 2018, Nguyen Phan Chanh’s paintings “La Marchande de Oc” and “Enfant à l’oiseau” were sold for US $ 600,000 and US $ 853,000 respectively at a Christie’s Hong Kong auction. Auction titled “20th Century & Contemporary Art” on May 29, 2019, the painting “Le Jeu des Cases Gagnantes” was sold for US $ 440,000 by Christie’s Hong Kong.

Experts and collectors expect Le Pho to fetch a huge price tag, breaking the record for prices paid for Vietnamese art.

Le Pho (1907-2001) was a Franco-Vietnamese painter best known for his stylized representations of nudes, gardens and floral still lifes. His work has managed to merge Impressionism, Surrealism, and Traditional Chinese Painting into a sultry but baffling take on Eden, reminiscent of both Odilon Redon and Pierre Bonnard. He studied at the École des Beaux-Arts in Hanoi before attending the École des Beaux-Arts in Paris with a scholarship in 1932. His works have been exhibited at the Museum of Modern Art in Paris, Oklahoma Arts Center and others.

Mai Trung Thu (1906-1980) was born in Hai Phong. In 1925, he studied at the College of Fine Arts in Indochina, with popular painters namely Nguyen Phan Chanh, Le Van De, Le Pho, Nguyen Cao Luyen.

In 1930, after graduating from Indochina Fine Arts College, he was appointed teacher of painting at Hue High School for the Gifted. In the 1930s, Mai Trung Thu participated in exhibitions in many countries of the world such as Italy, Belgium, the USA and France, where he later moved to Paris since 1936. oil paintings depicting scenes from Vietnamese rural life and silk chooses. as a material for making valuable paintings. Her favorite theme was women, children and everyday life combining with Vietnam’s cultural identity. His works of art showcasing light colors exhibited in numerous exhibitions all over the world have contributed significantly to building the reputation of contemporary Vietnamese fine art.

Nguyen Phan Chanh (1892-1984) was born in Ha Tinh province. Chanh was one of the first entrants to the newly established École des Beaux-arts d’Indochine in France in 1925, 33 years older than many of his classmates. patriot. His works illustrate the life and history of Vietnamese villages.

Nguyen Phan Chanh can be considered a Vietnamese chiaroscuro artist. French critics have found similarities between his works and those of the French Baroque painter, George de la Tour (1593-1652). In his early works, Nguyen Phan Chanh excelled in the play of light and shadow based on the application of a range of browns to create a monochromatic painting with an evocative finish. The roundness of the basket breaks the triangular unity of the subject while the lighter background serves to isolate the subject, giving him an impression of eternal solitude. The subtle combination of shades of black and brown hues gives the work a tranquility that underlines the modesty of the subject.

He was also famous with his traditional silk paintings. International exhibitions of Chanh’s silk paintings include Paris 1931, Italy in 1934, America in 1937, Japan in 1940, then Czechoslovakia, Hungary and Romania in 1982, and Poland and the former -Soviet Union in 1983.

By Kim Loan – Translated by Kim Khanh



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